Courtney Brown, Ph.D.
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Dr. Courtney Brown
Fall 2012
Political Science 385

Dr. Brown's Office Hours: Tuesday 11:30-12:30 & appt.
Class Time: 8:30-9:45
Dr. Brown's Office: Tarbutton 218
Class location: TBA

Guerrilla Political Videography
(Revision date: 9 March 2012)

Course Content and Objectives:

Political videography is now a crucial avenue of political expression, and students of politics are wise to master the art of political video. At the high end, there are "big impact" examples such as Michael Moore's Fahrenheit 9/11. At the medium and low budget side, there are life changing video events, such as the viral video about Kony. And on the low-budget, micro-budget, and no-budget end, countless amateur videographers are presenting potent political content on venues such as YouTube and Vimeo. (Remember how the "Macaca" video unravelled George Allen's senate campaign in Virginia?) These days, video cameras are ubiquitous, and video recordings of political events of all sorts are captured and distributed by individuals, campaigns, news organizations, and even governments. But the competition to get political video seen by large numbers of eyeballs is increasingly fierce. Today, high impact, cutting edge quality are essential for video to get noticed. In the past, the written word dominated the mass distribution of political ideas. This was followed by radio, and then television. But never before has technology so fundamentally leveled the participatory playing field as with video. This course teaches students how to create, package, and distribute potent political content in video form.

This is a practical "hands on" course on how to express political ideas using the video medium. This course is appropriate for students with no prior experience in video production. Students will learn the following production-related aspects of videography:

  • Pre-production (equipment, location, logistics, planning, script and/or outline)
  • Production (cinematograpy, directing, lighting)
  • Post-production (authoring, video editing, sound editing)
  • Distribution (online, television, mobile devices)

Additionally, students will examine the similarities and differences among the following sub-genres:

  • Political documentaries
  • Political commercials
  • Political music videos
  • Political commentaries
  • Political satire and comedy

In this class, students will create political videos, and they will learn how to distribute these videos in various venues, including YouTube. Video assignments will typically be "handed in" by posting them on YouTube (as "unlisted" videos that are not searchable) and sending the instructor the URL via email. Students will compare their videos with those of other class members in order to gain perspective and share techniques.

Students can find many practical applications for the content of this course. Minimally, students will find this course invaluable for doing video field work in nearly any discipline, potentially enhancing their graduate school experience greatly. This is particularly useful with respect to documenting field interviews. But other applications are also readily apparent. For example, students may intern with (or become employed by) political campaigns, and such campaigns may need to create low budget political commercials. This is especially true of local political campaigns. Such commercials can be broadcast inexpensively on cable channels as well as on the Internet, and good ones can become viral videos on YouTube that have enormous impact. Other students may want to create a political documentary for a school project, or even for mass distribution. Such documentaries do not need to be long; short YouTube clips can be tremendously effective. Some students may want to publish political commentaries on YouTube and other venues. And yet other students may want to use their new skills by gaining employment in the media after graduation. This course focuses on how to maximize the impact of political video content in a wide range of applications. Remember, quality in production is the key to the successful expression of political ideas in a video format.

Required Equipment and Software:

All students are required to have continuous access throughout the course to the equipment and software listed below. These items are not supplied by the instructor or Emory University.

  1. A digital video recorder (such as an iPhone4 or other digital phone with video capabilities, Flip, Kodak Mini or Pocket, a camcorder, or other digital video recorder). The digital video recorder must be able to make digital video files that can be transferred to a laptop computer and edited using the chosen video editing software. The recorder should have enough memory to record for 30 minutes or more. In some cases, students may wish to borrow a parent's home video recorder for the semester. If a student needs to purchase such a camera, appropriate new video recorders can be bought for about $100 or a bit more. If you need to purchase a recorder, it might be best to wait until the first day of class so the instructor can show you some possible equipment options.
  2. A laptop computer.
  3. Some type of free or purchased video editing software, such as Sony Movie Studio HD (Windows, an inexpensive but high quality option), Adobe Premier Elements (Windows or Macs, a bit more expensive than Sony Movie Studio, but highly recommended), Corel's VideoStudio, iMovie (Macs), Windows Movie Maker, or comparable free software (also see below). Since students have their own preferences for this type of software, no recommendations are made here. Students may wish to wait until after the first day of class before making a decision on which software to use or purchase.
  4. This is optional, but very highly recommended. The key to good video is good audio. People can tolerate less than optimal video quality more than they can tolerate poor audio. To get good audio, you need to mic the talent closely, which means you need an external microphone. Decent wired lavalier mics (the ones that you clip to the person doing the talking) that use an internal battery (important!) can be purchased from between $10 to $50 on Amazon. (For example, here is one for about $20.) Most of those have 1/8 inch jacks, and for most people, you are ready to go. Just plug the mic into your camera and start shooting with great audio. However, if you are using an iPhone 4 or 4S, an iPad or iPad2, or a device that uses an iPhone headset, then you are going to need an adapter to plug the mic into the device. Just plugging the mic into the headset socket of the device without the adapter will not work even though the jack will fit in the socket. The internal connectors do not line up. If you are using a mic with a small 1/8 in. jack, then you need THIS adapter (recommended). However, if you are using an XLR mic, then you can use THIS adaper. If you have a mic that does not have an internal battery, then you need THIS adapter. This last adapter is wired to take a bit of power from the iPhone or iPad to power the mic.

Some Free Video Editing Software:

For students who do not want to use some of the video editing software mentioned above, here are some free alternatives.

  1. Lightworks
  2. Avidemux
  3. Hyperengine-AV
  4. Avid Studio
  5. Movie Maker
  6. MPEG Streamclip (simple editing and file converter)
  7. FFMpeg (file converter)

The above listed equipment and software items are sufficient for completing the course. Students will also be exposed to higher-end equipment and software in class so that they are aware of how these things are used. However, often good political recordings come not from the most expensive equipment, but from the equipment that is available at the moment that a political event is taking place. The key is to make the highest quality video using the equipment that is available.

Class Requirements:

Reading, writing, and video creation assignments are matched with class discussions, all focusing on the creation and interpretation of political videos. The course grade depends on the evaluation of all video and writing assignments, tests, a final project, as well as class participation and attendance. Some of the video and writing assignments will be built around the final project, and each student's final project will be constantly enhanced and revised as an ongoing work-in-progress throughout the semester.

The grades are determined as follows:
25% Attendance (Two absences are permitted without penalty.)
25% Video creation assignments
25% Midterm Exam (includes a video project)
25% Final Exam (includes a video project)

Note that attendance is important. If you are in class, I know that you have been exposed to the subject of the day.

The Department of Political Science has a grading standard that applies to all courses. You can read about it here.

The Honor Code is strictly enforced in this course. Plagiarism is an honor code violation. A signature forgery on attendance is an honor code violation.

Podcast Policy:

Podcasting courses can assist students tremendously. Students can listen to lectures more than once, and they can catch up on classes that were missed for, say, reasons of illness or religious obligation. I record and podcast many of the classes in this course (audio and/or video). By taking this course, all students are automatically giving their permission to be recorded during class participation. No further written permission is required.

Disabilities Statement:

It is the policy of Emory University to make reasonable accommodations for qualified students with disabilities. All students with special requests or need for accommodations should make this request in person as soon as possible after first visiting the Office of Disabilities.

Required Texts:

Air Wars: Television Advertising in Election Campaigns, 1952-2008, by Darrel M. West (978-0872897786)

How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro, by Steve Stockman. (978-0761163237)

The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers, 2nd Edition, by Thomas A. Crowell (978-0240813189)

The Videomaker Guide to Video Production, Fourth Edition [Paperback], by Videomaker (Author), John Burkhart (Editor) (978-0240809687)

Internet Resources:

General

Editing Software and Tutorials

Voice-over Tutorials

Examples and Features

Creative Commons

Scriptwriting

WEEKLY OUTLINE

Week 1: The Art of Political Videography
Lectures: An introduction
Readings:
West, chapter 1
Stockman, Part 1
Crowell, Part I
Videomaker, Part I

Week 2: The Art of Political Videography (continued)
Lectures: Essential elements of the political video
Readings:
West, chapter 1
Stockman, Part 1
Crowell, Part I
Videomaker, Part I
Written/Video Assignment: Assignment #1

Week 3: Pre-production 1
Lectures: Equipment, location, and logistics
Readings:
West, chapter 2
Stockman, Part 2
Crowell, Part II
Videomaker, Part I
Written/Video Assignment: Assignment #2

Week 4: Pre-production 2
Lectures: Planning, script and/or outline
Readings:
West, chapter 3
Stockman, Part 3
Crowell, Part III
Videomaker, Part II
Written/Video Assignment: Assignment #3

Week 5: Production
Lectures: Cinematography, directing, lighting, green screen
Download: Chromakey Examples
Watch: Joseph Kosinski's use of green screen
Readings:
West, chapter 4
Stockman, Part 4
Crowell, Part IV
Videomaker, Part II
Written/Video Assignment: Assignment #4

Week 6: Post-production
Lectures: Authoring, video editing, sound editing
Readings:
West, chapter 5
Stockman, Part 5
Crowell, Part V
Videomaker, Part III
Written/Video Assignment: TBA

Week 7: Distribution
Lectures: Online, television, mobile devices
Written/Video Assignment: Mid-term/presentation

Week 8: Genre 1 - Political documentaries
Lectures:
Readings:
West, chapter 6
Stockman, Part 6
Crowell, Part VI
Videomaker, Part III
Written/Video Assignment:Assignment #5

Week 9: Genre 2 - Political music videos
Lectures:
Readings:
West, chapter 7
Stockman, Part 7
Crowell, Part VII
Videomaker, Part IV
Written/Video Assignment: TBA

Week 10: Genre 3 - Political commentaries
Lectures:
Readings:
West, chapter 8
Stockman, TBA
Crowell, Part VIII
Videomaker, Part IV
Written/Video Assignment: Assignment #6

Week 11: Genre 4 - Political satire and comedy
Lectures:
Readings:
West, chapter 9
Stockman, TBA
Crowell, Part IX
Videomaker, Part V
Written/Video Assignment: Assignment #7

Week 12: Genre 5 - Political events
Lectures:
Readings:
West, chapter 10
Stockman, TBA
Crowell, TBA
Videomaker, Part VI
Written/Video Assignment: TBA

Week 13: Genre 6 - The Political Commercial
Lectures:
Readings:
West, chapter TBA
Stockman, TBA
Crowell, TBA
Videomaker, Part VII
Written/Video Assignment: TBA